Thompson and Blanche Elliotte Saunders, digital image, FamilySearch ( : accessed November 2015) citing FHL microfilm 0945905. Monroe County Marriage Licenses, 5: 496, William A. 382, William Austin Thompson and Blanche Elliott Saunders, FHL microfilm 1763497. Paul's Episcopal Church (Key West, Florida), Record Book, 1894–1942, Marriages, p. 18 November 1883, last residence Florida database, FamilySearch ( : accessed October 2015). "United States Social Security Death Index," Blanche Thompson, b. Thompson digital image, ( : accessed October 2015). Cobb, arrived 11 August 1922, Key West, Florida, no. This same date also appears in her entry in the SSDI. ↑ Blanche's date of birth appears on a passenger list when she and her husband, Willie Thompson, returned from a trip to Cuba.No record of a divorce has been found.īlanche died in December 1968 in Miami, Florida. ![]() Willie and Blanche separated in the late 1920s by 1930, Blanche lived on her own and styled herself a widow. The witnesses were William Lightburn and Mrs. She was the daughter of William Henry Saunders and Elizabeth Ann Roberts.īlanche married William Austin Thompson on in Key West in a ceremony performed by Rev. 1899, Memphis, TN d.Blanche was born 18 November 1883 in Key West, Florida. 2007, Isle of Palms, SCī 1909, Baltimore, MD d. 1976, Washington, DCĪskew, Elizabeth Hoevel ī. 1986 (buried in Arlington National Cemetery, Arlington, VA)ī. 2004, Greenville, SCĪlbers, Annelise "Anni" Elsa Frieda Fleischmannī. Please contact the collection’s registrar, Holly Watters, with any corrections or additions to this digital directory.ī. Intended for professional and lay audiences alike, this documentary asset offers any number of dangling threads that may, in time, entice another curious cultural scholar to pick up the trail and begin crafting a new contribution to the whole. When a listed artist is represented in the Johnson Collection, her name is linked to additional information on this website. ![]() Artists who achieved significant professional recognition under both a maiden and married name are cross-referenced. Marital names that were not used as an artist’s primary identity are denoted in braces. Within name listings, alternate spellings are noted where we discovered persistent records of such variations. With those caveats in place, the information presented includes: artist’s name (including birth and married names, nicknames, professional monikers, and pseudonyms, where applicable) artist’s life dates (ideally with birth and death locations, and occasionally with place of burial) and the Southern state or states with which the particular artist was associated (whether by birth, residency, education, or exhibition activity). Sourced from scholarly and primary materials, as well as museum archives, exhibition records, and socio-cultural records, the list is neither exhaustive nor perfect. Now numbering over two thousand names of established, exhibited female practitioners, this index is not comprehensive and is emphatically not presented as such. This directory seeks to address-and redress-the lack of a comprehensive codex of Southern women artists active between the late 1890s and the early 1960s, the period surveyed in TJC’s most recent book, Central to Their Lives: Southern Women Artists in the Johnson Collection. While many of the artists connected to the region are widely known and duly noted in the canon of American art history, far more fine artists-and female artists, in particular- have been overlooked. Through its academic research, the Johnson Collection has worked intently to document and celebrate the achievements of artists associated with the South.
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